Best Usb/spdif Interface For Mac

• Best Usb/spdif Interface For Macbook
• Best Usb/spdif Interface For Macbook Pro

Whether you want to call it an audio interface or a soundcard, if you make music on a Mac, PC, iPad or even iPhone, it makes sense to get the best box of I/O tricks that you possibly can. But how do you decide which USB audio interface you should buy in 2018, or even if you should buy a ThunderBolt audio interface? Well, the product for one person might not be the best one for another. Firstly, you need to decide how many audio inputs and outputs you need. If you're going to be recording lots of instruments at the same time - in a band, for example - then multiple inputs will be very useful, but if you just plan on plugging in a mic or guitar once in a while, a 2-in device will be sufficient. Think about MIDI connectivity, too - do you plan to plug your MIDI controller directly into your computer over USB, or would full-size MIDI ports on the interface be useful? Then there's the issue of how the interface connects to your computer.

I just discovered that my Macbook Pro has a Toslink S/PDIF out. I've been using the Mac for years, and somehow never knew this! Up until now, I've been using a simple USB to SPDIF converter to feed into my DAC. An external sound card offers an easy path to upgrading the sound quality of your favorite laptop or desktop computer, especially if it's an affordable or mid-range model.The gadgets are easy to set up, and they connect to the computer via a USB port.

A majority of models work over USB 2, but you'll also find ThunderBolt interfaces that promise better performance but typically cost a little more. Whichever you go for, make sure it's compatible with your PC/Mac/iOS device and DAW before you buy. You also need to decide if you want DSP (Digital Signal Processing) in your interface, which will enable you to use dedicated plugins that won't place any load on your computer. Universal Audio, with its UAD products, is the undisputed king of this market. Form factor is a consideration, too: is your interface for the studio or do you want to take it on the road with you?

Audio interfaces comes in all shapes and sizes; some are designed to sit in a rack or on a desk while others can be stuffed in a laptop bag and taken anywhere. Finally, but crucially, there's the issue of price.

You can get a decent audio interface for well under $200/£200, but spend a bit more and you're likely to see better quality, performance and specs. So, there are lots of great audio interfaces, but which one you should buy depends on your requirements and budget. Whether you're looking for the best budget audio interface - the Audient iD4 is our current recommendation - or something from the top end, read on for MusicRadar’s picks of the current crop. There's not much to complain about at this price Arguably the best audio interface you can buy for less than $200, The iD4 is a simple two-input/two-output offering featuring a mic preamp - complete with phantom power for using condenser mics - as well as an instrument level DI for plugging in your guitar or bass. On top of this, there’s a main output for your speakers and dual headphone outputs. The whole thing is powered via USB and, with Apple’s camera connection kit, it can also work with an iPhone/iPad.

However, the studio devilry is in the detail; Audient has really thought about everything with value and usability in mind, making what is a budget solution feel anything but inexpensive. The best USB audio interface we’ve seen at this price for a long time. Read full review. No DSP processing A couple of years ago, Focusrite’s original Clarett interfaces introduced premium quality mic pres, ISA transformer mic pre mode (Air) and super-low latency operation at a great price. They also required a Thunderbolt-equipped computer - fine for Mac users, but not for Windows.

Thankfully, the Clarett Thunderbolt interfaces are now joined by USB versions. Much like the Thunderbolt version, the Clarett 4Pre USB is an 18-input, 8-output interface with MIDI I/O. On the input side, that’s achieved via two combo mic/line/instrument inputs, two combo mic/line inputs, four line-level inputs, stereo S/PDIF and eight channels of ADAT optical. Meanwhile the eight outputs comprise four line-level and two stereo headphone outs. A great all-rounder, the addition of USB brings this high spec’d yet reasonably-priced audio interface to a wider audience. Performance issues when battery levels are low The iRig Pro Pro Duo is IK Multimedia's best mobile audio interface yet.

It's got everything you need from a two-channel audio interface - MIDI, phantom power, direct monitoring, signal metering, combi XLR/Hi-Z inputs - and can be either battery- or mains-powered. The Pro Duo also feels more robust than some of its predecessors. The unit comes complete with a plethora of cabling for connecting to your devices of choice, including MIDI breakout cables. One thing we did notice was that, as the batteries ran down, the unit became less stable.

This is, of course, only a minor gripe, but if you're out and about, remember to bring spares. Read full review. Other interfaces with similar levels of I/O are available for substantially less. AudioFuse is an attractive and portable Mac, PC and iOS-compatible interface with a raft of features. Despite its compact frame, there’s plenty of connectivity on offer. Along the front edge, you’ll find combi inputs and two fully independent headphone feeds.

In turn, these can accommodate both mini-jack and 1/4-inch plugs. At the back, there are speaker outputs for two pairs of monitors, line level connectors, MIDI In/Out ports (which, due to size restrictions, have been replaced by mini-jack connectors, which you’ll find in the box) and - for digital interfacing - both S/PDIF and ADAT In/Out.

There are also inserts for inputs 1 and 2, allowing you to track through hardware compressors or channel strips. AudioFuse connects via USB 2, but USB connectivity goes further; Arturia has built a USB hub into it, providing three extra USB ports.

AudioFuse provides a beautiful and contemporary approach to USB audio interfacing with a great design, compatibility with a huge range of possible audio sources, a great sound and a highly tactile control set. Read full review.

No MIDI Still a desktop-format 2-in/-6-out interface with 24-bit/192kHz capabilities, the Apollo Twin MkII would be almost indistinguishable from were it not now black rather than silver. It connects to your Mac or PC via Thunderbolt (there’s no cable in the box), but it has to be powered from the wall. The back panel and front edge house the inputs and outputs, while the top panel centres on a satisfyingly oversized knob. Also a DSP box for powering UAD plugin effects (you can choose from Solo, Duo and Quad options), the Apollo Twin MkII features the same game-changing Unison preamps as its predecessor, fed by the Mic/Line and Hi-Z ins. These enable a gradually expanding subset of UA’s classic hardware emulation plugins to be inserted directly into each input path.

This is a musically empowering hardware/software hybrid that's capable of elevating even the humblest of home and project studios to genuinely professional-quality heights, and certainly one of the best audio interfaces you can buy. Read full review. Only one compressor Antelope doesn't tend to scrimp on the quality of its products and the Zen Tour is no exception. It’s very compact given how much functionality it offers, and feels solid. It has a small but useful touchscreen which enables you access to all the basic functions of the unit, with the likes of input gains, headphone levels and talkback directly accessible using buttons on the front panel and the large 'soft' knob. At the front are two headphone outs, two re-amping outs and four line/Hi Z inputs, all on 1/4-inch jacks.

To the rear are four dual XLR/1/4-inch inputs, two pairs of monitor outs on 1/4-inch jacks, eight analogue outs on a DB25, two RCA sockets for S/PDIF in and out, a power connector and USB and Thunderbolt sockets. On the left-hand side are two pairs of ADAT ins and outs. Once you have the software installed on your computer and connected you are ready to go. There are six amplifier emulations covering vintage to modern and clean to downright filthy. They sound great and, unlike some software emulations, have a great dynamic response. You also get a great range of EQs and a single compressor. If you want a high-quality audio interface for studio, rehearsals and gigs you have to look at this.

It sounds great and is supremely flexible. Certainly one of the best audio interfaces for guitarists you can buy.

Read full review. No MIDI I/O One of the best audio interfaces for Mac on the market, the Element 46 prioritises function over form: it’s an extremely simple and rather plain-looking unit with not an LED or LCD in sight.

Don’t let the featureless look throw you, though - the (optional) Remote Control unit might look like the more interesting piece of kit, but that plain grey box plays host to the real action. The real ace up Apogee’s sleeve is that the Element interfaces aren’t actually designed for physical interaction at all - instead, they’re designed to be put to one side on a surface in your studio, with their microphone connections (front-mounted for convenience) the only part you’ll get hands-on with during the recording process. Everything else is handled by software, with that aforementioned Remote Control or a free iOS app providing extra hands-on interaction should you wish. While nearly all of the best audio interfaces now provide software control over hardware, Element Control goes further than most, providing an essential front end to Apogee’s superb preamps and A/D conversion. Read full review.

Definitely for pros only Prism Sound has quickly developed a reputation as a go-to choice for many professional users and studios seeking exemplary audio quality at the interfacing stage. Atlas is a 2U USB interface with plenty of I/O possibilities, but the extra ace up its sleeve is an MDIO port, which provides additional, flexible interfacing capability. The rear panel shows the internal interfacing capabilities Atlas offers, with eight coveted Prism Sound preamps provided, which allow for either XLR or TRS connections, alongside eight dedicated balanced 1/4-inch outputs. You'll also find digital inputs, with supported formats including S/PDIF and ADAT, meaning that Atlas is capable of recording up to 18 channels at once, at up to 192kHz, though digital track count becomes lower at super-high resolution. In use, Atlas feels like a thoroughbred interface from the moment it's up and running.

You can configure some settings from the front panel, but Prism Sound also provides a comprehensive Control application to allow you to set up Atlas's assorted I/O over software. Atlas is a sumptuous interface, offering unparalleled sound quality.

Prism Sound's reputation is further enhanced with its arrival and, since the quality of its interfaces was already seen as excellent, that's a glowing endorsement. Read full review.

The right equipment is essential to producing crisp, professional-quality audio. The best microphones, speakers, and instruments wouldn’t do you any good without a reliable audio interface. An audio interface helps you produce recordings that are crystal-clear and makes the recording process easier, too.

A USB audio interface is a useful piece of audio equipment, whether you’re a budding home producer or a studio professional. These interfaces can be used with most computers, thanks to the availability of USB 2.0 or 3.0 ports on Macs and PCs. With a USB audio interface, you can produce clean audio recordings on a wide range of devices, making production more convenient. Read our complete guide about the. What is a USB audio interface?

A USB audio interface helps you record audio and edit it on your computer as needed, as the interface serves as a connection between your computer and microphones, instruments, and other audio equipment. An audio interface works by converting analog signals from audio equipment into digital audio information that a computer can process. This digital audio is then transferred to the computer through a USB connection. Read our latest guide about the. An audio interface works in reverse as well. This device can receive digital audio information from your PC or Mac and convert it into an analog signal, so you can hear the audio through headphones, speakers, or studio monitors.

The interface typically includes line-level analog inputs and outputs as well as one or more microphone amplifiers. More sophisticated audio interfaces may include digital inputs and outputs that allow you to increase the amount of simultaneously available microphone preamplifiers to your system. Why use an USB audio interface? Though you can record audio using only a microphone plugged into your computer, there are still various benefits to using a separate USB audio interface. Improved sound quality – The main benefit of using a USB audio interface is that it drastically improves the quality of your audio recordings.

Audio interfaces are able to convert digital signals into analog signals with less error, so the end product is clearer and offers more complexity. This is crucial in producing professional-quality recordings, like if you’re planning to produce podcasts, songs, and other audio for public consumption. Even amplification – The best audio interfaces are able to amplify signals with more depth and more evenly than a computer can.

You’ll be able to hear the effect in your finished recording; the difference between loud and soft sounds is more pronounced, especially at higher volumes. With a reliable audio interface, you can prevent the problem of the recording losing its depth when you turn the volume all the way up. Multiple inputs and outputs – The sound cards on most computers today only have a consumer-grade stereo line level input for connecting audio equipment and an output for stereo headphones or speakers.

An audio interface features multiple inputs and outputs. With two or more inputs, a USB audio interface lets you record audio from more than one source – like your voice and a guitar. Having several outputs, you’ll also be able to monitor your recordings more easily using speakers and headphones. Added power – A USB audio interface provides added power so your computer’s sound card can handle not just microphones but also other audio equipment like MIDI keyboards and mixing consoles. Many USB audio interfaces can provide phantom power, too, which comes in handy for using a condenser microphone and other professional equipment. Convenient compatibility ­– One of the best advantages of using a USB audio interface is its USB connectivity. You can use these audio interfaces with most computers today, as many laptop and desktop computers today have USB 2.0 or 3.0 ports.

These audio interfaces can be used on both Macs and PCs, too. Even mobile phones and tablets are USB-compatible these days.

Best Usb/spdif Interface For Macbook

This easy compatibility makes it easier for you to produce high-quality recordings wherever you are, whenever you want. Key features of a USB audio interface You’ll have a wide range of choices if you’re looking for your next USB audio interface. Consider these important features when you’re shopping for a reliable USB audio interface.

Microphone pre-amplifiers Most USB audio interfaces come with microphone pre-amplifiers. Pre-amplifiers work to amplify small signals from the microphone up to a level that’s suitable for recording. Pre-amp inputs are crucial for producing clear, professional-quality recordings. Many audio interfaces come with more than one microphone pre-amp, too; these audio interfaces are ideal for groups that use multiple microphones. Input/output count and input types USB audio interfaces differ greatly when it comes to the number of inputs and outputs they feature and the input types they support.

Basic audio interfaces may come with one to two interfaces, including a mic pre-amplifier, a line input for instruments, and an output for speakers or headphones. More advanced USB interfaces may come with 4 to 10 interfaces and multiple inputs, including DI inputs, MIDI inputs, and optical inputs. Form factor and usability USB audio interfaces come in two main form factors: desktop interfaces and rack-mounted interfaces. Desktop audio interfaces tend to be smaller and can fit on your desk next to your computer. These audio interfaces are great for beginners or for those who have a simpler audio setup. Rack-mounted audio interfaces, on the other hand, are larger devices that require mounting.

These audio interfaces offer more options in terms of inputs and outputs as well as signal routing. Most of these interfaces also come with ergonomic features that make them easier to use. Some interfaces have an angled design for more convenient tabletop use as well as dials that are easy to grasp and control. Top 15 Best USB audio interfaces in 2018 Picture Name Material/Features Price Rating Picture Name Material/Features Price Rating 1. 4-in/2-out USB audio interface $$$ 4.8 2. Audiophile 24-Bit/192 kHz resolution $$ 4.7 3.

2 AA batteries $$$ 4.7 4. 70dB of gain and 48V of phantom power $$$ 4.6 5. DSP (measured at 2.74ms $$ 4.6 6. Mic Preamplifiers with +48 V $$ 4.5 7.

1 Mic input(XLR) $$$ 4.5 8. Built-in MIDI I/O port $$ 4.4 9. Two MIDAS-designed microphone pre-amplifiers $$ 4.4 10. Transformer isolation $$ 4.3 11.

Audiophile 24-Bit/192 kHz resolution $$ 4.3 12. Support for 24-bit/192 kHz audio $$$ 4.2 13. 2 inputs / 2 outputs $$ 4.1 14. 2 MIDI cable, USB cable $$ 4.0 15.

High I/O count, with 4 inputs and 5 outputs $$ 4.9 The Tascam US-16X08 16×8 Channel USB Audio Interface makes intensive recording sessions easy to handle, with its16 microphone and line inputs, hi-res recording capabilities, and convenient USB 2.0 connectivity. An advanced digital mixer is also included for hassle-free monitor mixing. Microphone pre-amplifiers The Tascam US-16X08 16×8 Channel USB Audio Interface features 8 microphone pre-amplifiers, all designed based on discrete components. Ultra-High Definition Discrete Architecture ensures clean, quiet operation, so you can produce crystal-clear records. You’ll also get up to 56dB of gain, which helps boost low-level microphone signals to the standard operating level of recording gear. These pre-amplifiers have an EIN rating of -125 dBu; you won’t even hear these microphone pre-amps working as you record. This results in minimal noise in your recordings for that studio-produced quality.

For added convenience, this USB audio interface can also be used as a standalone microphone pre-amp. This Tascam USB audio interface also has a phantom power switch for +48V power that you can use for condenser microphones and professional-level audio equipment.

You can even use up to 8 condenser microphones at a time. Input/output count and input types The Tascam US-16X08 16×8 Channel USB Audio Interface is designed with 24 inputs/outputs – 8 XLR microphone inputs, 8 ¼-inch analog line inputs, and 8 ¼-inch analog line outputs. This USB audio interface gives you all the inputs and outputs you need. The line inputs come in handy if you plan to individually record multiple instruments or other audio sources. Two TRS line inputs on the front panel can be switched between instrument level and line level input, while the six remaining TRS line inputs can be switched between -10dB and +4dB. With this flexibility, you can record audio just the way you want.

The included MIDI input/output comes in handy for audio equipment such as keyboards, drum machines, and controllers. You can use these for the synchronized operation of multitrack recorders and other recording equipment. Form factor and usability The Tascam US-16X08 16×8 Channel USB Audio Interface is a rack-mounted audio interface.

This audio interface comes with rack ears so you can easily mount the interface on a 19-inch rack so you can safely keep it out of the way when you’re recording audio. However, despite its rack-mounted design, this audio interface can also be used on a desktop.

The interface has an angled design for hassle-free desktop viewing and operation, with controls, knobs, and switches that are at a natural angle so you don’t have to crane your neck to read the controls. Separate volume controls the headphones and line outputs are also available, making it easy for you to set the volume you want. Pros. 8 XLR microphone pre-amps with +48V phantom power. Ultra-HDD pre-amp architecture with up to 56dB gain.

16 inputs and 8 outputs, including a MIDI output. Separate controls for headphones and line outputs.

Can be rack-mounted or used on a desktop Cons. May need additional configuration for use with Macs The Behringer UMC 404HD Audiophile 4X4 USB Audio/Midi Interface features microphone pre-amps ready with phantom power, 4 outputs, plus MIDI I/O, so you’ll have enough inputs and outputs for any recording session. Plus, 24-bit/192 kHz resolution ensures professional quality for your audio. Microphone pre-amplifiers The Behringer UMC 404HD Audiophile 4X4 USB Audio/Midi Interface offers 4 microphone pre-amplifiers. These state-of-the-art pre-amplifiers are expertly designed, sufficiently boosting microphone signals to match standard operating line levels. This way, you don’t have to worry about loss of quality during the conversion process. These pre-amplifiers are MIDAS-designed, too; the MIDAS brand is well-known in the industry for pre-amps that deliver ultra-clear sound.

This USB audio interface also comes with a switch that lets you activate phantom power. With phantom power, your computer is ready to handle most types of microphones, including condenser microphones. Input/output count and input types The Behringer UMC 404HD Audiophile 4X4 USB Audio/Midi Interface has plenty of inputs and outputs, making it an excellent addition to your recording equipment.

The audio interface is equipped with 4 XLR/TRS combo microphone pre-amps as well as 4 ¼-inch inserts. These analog inserts come in handy for connecting devices for effects processing such as compressors. Six ¼-inch outputs are also available, along with 2 XLR outputs, 2 stereo outputs, and one ¼-inch output for headphones.

Aside from the main outputs being on balanced XLR and TRS connectors, the audio interface also has a powerful Phones output that comes with Level control and Monitor A/B source select. This makes DJ-style cueing easier. Form factor and usability The Behringer UMC 404HD Audiophile 4X4 USB Audio/Midi Interface is a desktop USB audio interface, so there’s no need to mount the interface to a rack. The USB interface is also solidly built, thanks to its impact-resistant metal chassis. You can use this USB interface for many years’ worth of recording sessions. You can place this USB audio interface right beside your laptop or desktop computer for easy recording and audio processing; for added convenience, this USB audio interface can simultaneously stream 4 inputs and 4 outputs. Zero-latency monitoring is also guaranteed, so you can listen to your recording with no delays or lags in the returning signal.

Pros. 4 XLR/TRS combo MIDAS-designed microphone pre-amps. Microphone pre-amps with +48V phantom power. 4 ¼-inch inserts for effects processing. Phones output with Level control and Monitor A/B source select.

Impact-resistant metal chassis Cons. No RCA inputs included The Roland Rubix22 2 Input/2 Output USB Audio Interface is smaller than many audio interfaces today, but it still offers expertly designed inputs and outputs for the high-fidelity sound you want. The audio interface’s compact design also makes it ultra-portable.

Microphone pre-amplifiers The Roland Rubix22 2 Input/2 Output USB Audio Interface comes with dual microphone pre-amplifiers. These pre-amps are designed for high definition and low noise, so you can record crisp, crystal-clear audio. These pre-amplifiers help you achieve a clean, transparent sound, giving you enough headroom so you can capture the depth and details of what you’re recording. These microphone pre-amps also come with XLR jacks for added convenience.

With these high-quality microphone pre-amps, recording rich, noise-free audio is easy Input/output count and input types The Roland Rubix22 2 Input/2 Output USB Audio Interface features 2 XLR ¼-inch inputs. These inputs are flexible, so you can use these as microphone inputs, line inputs, or Hi-Z inputs for guitars and other high-impedance sources. MIDI input/output ports are also available for controllers, instruments, drum machines, and synthesizers. Aside from these inputs, the Roland Rubix22 2 Input/2 Output USB Audio Interface also has 2 ¼-inch analog outputs as well as an output port for headphones. These handy output ports make it easier for you to closely monitor your recordings. Form factor and usability The Roland Rubix22 2 Input/2 Output USB Audio Interface is an ultra-compact desktop audio interface. This audio interface is 5.75 inches wide, 6.5 inches deep, and 1.8 inches high, plus it weighs only a little over 2 pounds.

You can grab this audio interface and go; this flexibility allows you to record audio wherever and whenever you want. This desktop USB audio interface is made from durable metal, too, so it will last through years of use. The Rubix22 USB audio interface is designed for easy use, too.

It includes low-latency, class-compliant drivers for Mac and PC; you can even use it with your iPad. Indicators are big and easy to read so you can monitor input and output at a glance. A micro-USB port is included for added versatility. Pros. Dual low-noise microphone pre-amps with XLR combo jacks. Hi-Z input port for high-impedance sources.

MIDI in/out ports. Ultra-compact, portable design. Includes low-latency, class-compliant drivers for Mac and PC Cons. Lower input/output count The Audient iD4 2-in/2-out High-Performance USB Audio Interface packs a lot of features – such as an expertly designed microphone pre-amplifier, reliable converter technology, and console-style monitor control – into a compact design. Microphone pre-amplifiers The Audient iD4 2-in/2-out High-Performance USB Audio Interface comes with a microphone pre-amplifier that’s well-known in the recording industry.

Audient’s pre-amps are popular for their ability to give audio a clean yet punchy character. The pre-amplifier on this audio interface has a low noise floor and is designed to be 30,000 times quieter than the signal level. Combined with this low-noise feature, the pre-amplifier’s flexible topology gives you a gain of up to 70dB. For added flexibility, the microphone pre-amp on this Audient USB audio interface provides phantom power of up to +48V. This power boost helps your computer handle other types of microphones, such as condenser microphones.

All these features ensure that you can get a clear sound from your microphone. Input/output count and input types The Audient iD4 2-in/2-out High-Performance USB Audio Interface comes with 2 input and 2 output ports, plus an output port for headphones. The audio interface’s input ports include a microphone pre-amplifier plus a JFET D.I. Port lets you directly plug instruments such as guitars, bass, keyboards, and drum machines into the audio interface, so you can simultaneously record two sound sources. This USB audio interface also includes a dual headphone output, so you can plug in two sets of headphones.

This makes it easier for you to collaborate with others and monitor your records more closely. This USB audio interface comes with a jack and a mini jack output for hassle-free connectivity.

Form factor and usability The Audient iD4 2-in/2-out High-Performance USB Audio Interface is a desktop USB interface and its compact design won’t take up much space on your desk. This USB audio interface is well-built, too, with an all-metal construction that’s designed to last. Hand-finished aluminum knobs make for precise, hassle-free control.

One great feature of the Audient iD4 2-in/2-out High-Performance USB Audio Interface is that its volume encoder becomes a virtual scroll wheel at the touch of a button. This scroll wheel lets you adjust DAW hosts and plug-in parameters with ease. Pros.

Industry-renowned Audient microphone pre-amplifier. 70dB of gain and 48V of phantom power. Dual headphone outputs.

ScrollControl through a virtual scroll wheel. Compact, all-metal design Cons. Scroll control via the knob is not available on some DAWs The Focusrite 2 nd Generation Scarlett Solo USB Audio Interface with Pro Tools gives you the easiest way to record studio- quality audio onto a computer. Plus, this audio interface’s compact design makes on-the-go recording possible.

Microphone pre-amplifiers The Focusrite 2 nd Generation Scarlett Solo USB Audio Interface with Pro Tools comes with 1 microphone pre-amplifier. Focusrite’s award-winning pre-amplifiers are used in studios around the world, so you can be sure that your recordings sound just like the way you intended. The Scarlett Solo’s natural-sounding microphone pre-amplifier has low-noise, low-distortion features, allowing you to capture clean, studio-quality records. This microphone pre-amplifier also comes with 48V of phantom power, so you can use any microphone you want with this USB audio interface. Input/output count and input types The Focusrite 2 nd Generation Scarlett Solo USB Audio Interface with Pro Tools comes with 1 microphone pre-amplifier and 1 instrument input port.

The re-engineered instrument input is designed to prevent unwanted distortion, no matter how loud you play. With these two separate inputs, you can independently yet simultaneously record vocals and an instrument, making it easier to re-record one track in case things don’t sound right. Super-low latency ensures that there are no delays when you record. Aside from input ports, this USB audio interface also comes with 2 unbalanced RCA outputs. These stereo line outputs let you connect the interface to your speakers.

A headphones output, equipped with gain control, is also available. Form factor and usability The Focusrite 2 nd Generation Scarlett Solo USB Audio Interface with Pro Tools is a desktop USB audio interface with a compact design. Combined with universal USB connectivity, this audio interface’s small design makes it an indispensable device for on-the-go recording. Other easy-use features include Focusrite’s signature halos around the gain knobs; these halos turn red when you’re recording at a volume that’s too high. This USB audio interface works seamlessly with Macs and PCs; no matter what DAW you use, you’ll have no problems using this audio interface. It also includes a suite of software – including Pro Tools Creative Pack, Ableton Live Lite music making software, and Softube Time & Tone Pack – to get you started.

Pros. Award-winning microphone pre-amplifier with 48V phantom power. Re-engineered no-distortion instrument input. Headphones output with gain control.

Travel-friendly design. Includes music software and plug-ins Cons. No built-in XLR connections The Behringer U-Phoria UMC204HD USB 2.0 Audio Interface features world-renowned MIDAS microphone pre-amplifiers for that ultra-clear sound you want.

You can also stream up to 2 inputs and 4 outputs at once, making big recording sessions easier to handle. Microphone pre-amplifiers The Behringer U-Phoria UMC204HD USB 2.0 Audio Interface comes with two high-quality microphone pre-amplifiers. These pre-amplifiers are designed by MIDAS, a brand renowned throughout the world for delivering ultra-clear sound with plenty of headroom. These pre-amplifiers also offer up to 48V of phantom power for use with condenser microphones. Since this audio interface features dual microphone pre-amplifiers, you can separately record two vocal tracks at once. Everything you record goes through studio-grade converters with 24-bit/192 kHz capabilities, so you get the best sound quality possible.

Input/output count and input types The Behringer U-Phoria UMC204HD USB 2.0 Audio Interface includes 4 inputs and 5 outputs. The audio interface’s inputs include 2 XLR/TRS microphone pre-amplifiers and 2 ¼-inch inserts. The pre-amplifiers are combo inputs, so you can also use these to plug in instruments such as guitar or bass.

The tip-send/ring-return insert points come in handy for connecting outboard processors, compressors. Built-in MIDI I/O ports let you connect MIDI hardware li This audio interface also features 2 stereo ¼-inch outputs, 2 RCA output ports, and 1 headphones output. These outputs are guaranteed to provide latency-free direct monitoring, with no delays or lags in the returning signal. The headphones output also has its own level control and Monitor A/B source select for cueing.

Form factor and usability The Behringer U-Phoria UMC204HD USB 2.0 Audio Interface is a desktop USB audio interface, so you can avoid the work of mounting the interface on a rack. All you have to do is plug in the audio interface to your computer to start recording. All controls and switches are clearly labeled for hassle-free use. This audio interface is also compatible with most popular recording software. This USB audio interface is solidly built, with an impact-resistant metal chassis.

This construction helps the audio interface last through many recording sessions. Pros.

State-of-the-art MIDAS microphone pre-amplifiers. Combo inputs for added flexibility. Built-in MIDI I/O ports. Headphones output with dedicated level control. Impact-resistant metal chassis Cons.

No software or drivers included The Steinberg UR12 USB Audio Interface combines a small design and superior I/O ports so you can record anywhere and anytime you want. With this reliable audio interface, you can produce recordings with incredible depth and clarity. Microphone pre-amplifiers The Steinberg UR12 USB Audio Interface comes with an expertly designed microphone pre-amplifier. This D-Pre Class A pre-amplifier is designed by Yamaha, so you can be sure that it delivers transparent, richly detailed sound. The pre-amplifier features advanced, inverted Darlington circuits, which help improve smoothness and depth. Phantom power is also built into the pre-amp, so you can use your favorite condenser microphones with this audio interface. These features ensure that you can record audio with as few interruptions as possible.

Input/output count and input types The Steinberg UR12 USB Audio Interface is designed with 2 inputs and 2 outputs. The input ports include a microphone pre-amplifier with XLR input and a TRS line-level input. With these dual inputs, you can monitor line-level tracks just as easily as vocal tracks. This USB audio interface also features 2 outputs: a stereo output and a ¼-inch headphones output. A monitor source switch enables latency-free hardware monitoring and lets you choose between the direct signal and the output of the application you’re using. This means you won’t experience lags as you’re listening to your recording.

Form factor and usability The Steinberg UR12 USB Audio Interface is a desktop USB audio interface, so you can place it beside your computer and keep it within easy reach. This audio interface has a compact design so you can take it anywhere you go and record audio wherever needed. Plus, the audio interface weighs less than 2 pounds, making it extra-portable. The audio interface’s rugged metal chassis can also withstand frequent use. This USB audio interface is compatible with all major software used for music production, audio editing, and mastering.

You can even connect this interface with your iPad or iPhone. Pros. Yamaha-designed Class-A D-PRE microphone pre-amplifier. Converters capable of a 192 kHz maximum sampling rate and 24-bit resolution.

Latency-free hardware monitoring. Compatible with major music production software. Rugged metal chassis Cons.

No built-in MIDI I/O ports The PreSonus AudioBox USB96 2×2 USB Audio Interface lets you record in full professional 24-bit/96 kHz digital resolution, so you can achieve studio-quality output. Top-quality input/output ports and USB 2.0 connectivity ensure that you get crystal-clear audio wherever you record. Microphone pre-amplifiers The PreSonus AudioBox USB96 2×2 USB Audio Interface offers two microphone pre-amplifiers. With two pre-amplifiers, you can simultaneously record two tracks, so recording and processing is easier. These pre-amplifiers can reliably boost microphone signals to match the standards for recording equipment, so you get crystal-clear sound with minimal noise and distortion. You’ll get lots of headroom with these pre-amplifiers; high headroom gives you a buffer zone so that unexpected or loud sounds can be accommodated without the risk of clipping.

This results in a sound that’s more open and natural. The pre-amplifiers on this audio interface also come with phantom power, making this audio interface compatible even with condenser microphones. Input/output count and input types The PreSonus AudioBox USB96 2×2 USB Audio Interface features 3 inputs and 4 outputs; you can use up to 2 inputs and 2 outputs at once. These 2 input ports include 2 XLR ¼-inch inputs, which serve as pre-amplifiers and instrument inserts.

The audio interface’s outputs include 2 ¼-inch main outputs, which you can use for speakers, as well as a ¼-inch headphones output port for easier monitoring. A MIDI I/O port makes it easier for you to connect synthesizers and MIDI controllers to the audio interface. Form factor and usability The PreSonus AudioBox USB96 2×2 USB Audio Interface is a desktop USB audio interface and its compact design means that it won’t take up much space on your desk at all. This USB audio interface is made for portable use; its heavy-duty steel chassis can last through years of frequent use.

For hassle-free monitoring, this audio interface includes a mix control so you can control levels between the input signal and computer playback without experiencing any delays. The audio interface also comes with a free license for PreSonus’ Studio One Artist DAW software, so you can start recording out of the box. Pros. 2 microphone pre-amplifiers with phantom power.

2×2 simultaneous I/O use. Built-in MIDI I/O port. Compact design with heavy-duty steel chassis. Universal USB 2.0 connectivity Cons. Fewer input/output ports The Behringer U-Phoria UMC202HD USB 2.0 Audio Interface lets you record in 24-bit/192kHz resolution and it gives you world-class microphone pre-amplifiers and zero-latency monitoring. The audio interface also comes with XLR cables and micro fiber cloth for easier maintenance.

Microphone pre-amplifiers The Behringer U-Phoria UMC202HD USB 2.0 Audio Interface comes with 2 microphone pre-amplifiers. These pre-amplifiers are designed by renowned brand MIDAS, so you can be sure that you’ll get clean, crisp recordings. MIDAS pre-amplifiers are known throughout the world for their quality; the pre-amps on this audio interface definitely won’t let you down. This audio interface can provide up to 192 kHz resolution, making it capable of handling even the most demanding music recording applications. These pre-amplifiers also come with +48V of phantom power, so you can use this audio interface for condenser microphones as well. No matter what microphone you use, this audio interface will give you studio-quality results every time.

Input/output count and input types The Behringer U-Phoria UMC202HD USB 2.0 Audio Interface comes with 2 inputs and 3 outputs, and you can use up to 2 inputs and 2 outputs simultaneously. The input ports include 2 XLR/TRS combo inputs; these serve as microphone pre-amplifiers as well as line-level or instrument-level audio equipment. This way, you can simultaneously record vocals and instruments. The output ports on this USB audio interface include 2 ¼-inch output ports and 1 ¼-inch headphones output. Through these high-quality output ports, the U-Phoria UMC202HD USB Audio Interface provides latency-free input monitoring. Thanks to a Direct Monitor function, you’ll be able to hear your performance clearly and without delay.

This way, post-recording processing and editing are significantly easier. Form factor and usability The Behringer U-Phoria UMC202HD USB 2.0 Audio Interface is a desktop USB audio interface, so there’s no need to install a rack for mounting this device. You can just place this audio interface beside your laptop and start recording.

This audio interface has an impact-resistant metal chassis, so it’s built to be durable; it can last through years’ worth or recordings. This audio interface offers USB 2.0 connectivity, too. This means the audio interface is compatible with nearly every computer today. To make recording even easier for you, the audio interface comes with Tracktion DAW software, along with 150 instrument/effect plug-ins that you can download.

Pros. Two MIDAS-designed microphone pre-amplifiers.

48V phantom power for condenser microphones. Combo inputs for line-level and instrument-level gear. Direct Monitor function with zero latency.

Comes with Traction DAW software Cons. No built-in MIDI I/O ports The Peavey USB Audio Interface gives you balanced stereo outputs so you can easily connect your computer to your sound system. Transformers ensure that the USB audio interface provides a balanced output. Microphone pre-amplifiers The Peavey USB Audio Interface doesn’t come with built-in microphone pre-amplifiers. However, this audio interface works with most standalone pre-amplifiers, so you can easily integrate the interface into your existing recording system. This USB audio interface is designed with transformer isolation, which ensures that no quality is lost from the input to the output.

This makes it easier for you to closely monitor your recordings, no matter which pre-amplifiers you use. Input/output count and input types The Peavey USB Audio Interface has 1 input and 2 outputs. The audio interface’s input comes in the form of a USB B-type input port. You can use this input port to connect the USB audio interface to your computer, so you can use the audio interface as an output device. This audio interface also comes with 2 outputs: left and right XLR outputs. These dual outputs come in handy for connecting a pair of speakers to the audio interface.

You can even use an adapter to connect your headphones to this audio interface, so you’ll have more options when it comes to monitoring your output. Form factor and usability The Peavey USB Audio Interface is a desktop USB audio interface, which comes in handy if you’re looking for an audio interface that doesn’t take up much space and doesn’t require the use of a mounting rack. Its compact design also makes the USB audio interface highly portable, so you can take it anywhere you need to record audio. This USB audio interface also helps prevent ground loops, which often occur when connecting computer audio to a sound system.

Ground isolation ensures that no extra noise, hum, and interference are present in your recordings, keeping your audio clean and clear. The USB audio interface also comes with a switch that lets you choose from mono and stereo output. Pros. USB B-type input for easy connectivity. Left and right XLR outputs. Comes with a switch for mono and stereo output.

Zero latency and ground isolation. Compact, portable design Cons. May need additional configuration upon connection The Behringer U-Phoria UMC22 USB Audio Interface is an excellent choice for people who don’t need a complicated audio interface for their recording needs. An expertly designed pre-amplifier, a dedicated instrument-level input, and free DAW software ensure that this audio interface is the complete package. Microphone pre-amplifiers The Behringer U-Phoria UMC22 USB Audio Interface comes with only one microphone pre-amplifier, but it’s a pre-amplifier that’s designed by MIDAS. MIDAS is known throughout the world for its long history of innovation in audio mixing consoles and microphone pre-amplifiers. The microphone pre-amplifier on this audio interface delivers ultra-clear sound, so you can be sure of high audio quality for your recordings.

The pre-amplifier also gives you plenty of headroom for unexpected or loud sounds that may cause clipping. With this pre-amplifier, you can be sure that your recordings sound just the way you want them to. For added convenience, this pre-amplifier comes with +48V of phantom power, making it compatible even with condenser microphones. Input/output count and input types The Behringer U-Phoria UMC22 USB Audio Interface features 2 inputs and 3 outputs, and you can simultaneously use up to 2 inputs and 2 outputs.

The audio interface’s input ports include a ¼-inch XLR microphone pre-amplifier that also doubles as a line-level input for mixers and amplifiers. You’ll also find a ¼-inch Hi-Z or high-impedance output for guitars, bass, and other instruments. This audio interface also includes 2 analog outputs for speakers and a ¼-inch output for headphones. These output ports deliver ultra-low latency, so you can enjoy delay-free monitoring. Combined with simultaneous I/O use, ultra-low latency makes editing easier, so producing studio-quality recordings is a breeze. Form factor and usability The Behringer U-Phoria UMC22 USB Audio Interface is a desktop audio interface, so there’s no need to install a rack for this device. Just place it beside your computer and you’re ready to go.

This USB audio interface has a compact design, too, so it’s perfect for recording not just at home but wherever you go. Don’t worry; the impact-resistant metal chassis of this audio interface can last through the stress of on-the-go recording. For easier recording, the Behringer U-Phoria UMC22 USB Audio Interface is compatible with almost all popular recording software, including Steinberg Cubase, Ableton Live, and Avid Pro Tools. With this audio interface, you’ll be able to record tracks directly into your computer-based DAW. Pros.

MIDAS-designed pre-amplifier with +48V phantom power. Dedicated Hi-Z instrument input.

48 kHz resolution for studio-quality tracks. Direct Monitoring and ultra-low latency. Portable, desktop-friendly design Cons.

No built-in MIDI I/O ports The Zoom UAC-2 2-Channel USB 3.0 SuperSpeed Audio Interface offers everything you need to produce studio-quality tracks: 24-bit/192kHz resolution, high-quality microphone pre-amplifiers, and balanced output ports that ensure zero-latency monitoring. Microphone pre-amplifiers The Zoom UAC-2 2-Channel USB 3.0 SuperSpeed Audio Interface comes with 2 microphone pre-amplifiers. These pre-amplifiers are designed to boost their output signals to match the required levels of recording equipment. With these pre-amplifiers, you can record vocal tracks that are crystal-clear and free from distortion and noise.

You’ll even get more headroom to accommodate loud, unexpected sounds. All these features help you produce studio-quality recordings.

And since you get two microphone pre-amplifiers, you can simultaneously record two vocal tracks. The microphone pre-amplifiers on this Zoom USB audio interface also come with phantom power. This power boost of +48V comes in handy if you want to plug in condenser microphones to the audio interface. Input/output count and input types The Zoom UAC-2 2-Channel USB 3.0 SuperSpeed Audio Interface comes with 3 inputs and 4 outputs.

These inputs include 2 XLR ¼-inch combo inputs that serve as microphone pre-amplifiers and inserts for line-level signals from electronic keyboards, music players, and passive instruments like basses and electric guitars. Two dual-balanced ¼-inch output jacks are also available, so you can connect amplifiers or self-powered speakers to this audio interface. Aside from the balanced main outputs, this audio interface also features a ¼-inch stereo headphone jack with dedicated volume control. This helps you independently monitor the input or output signal. MIDI I/O connectors are also available for use with audio devices such as drum machines and electronic keyboards.

Form factor and usability The Zoom UAC-2 2-Channel USB 3.0 SuperSpeed Audio Interface is a desktop audio interface, so there’s no need to install a rack for this device. This audio interface is portable and completely bus-powered through USB 3.0, making it a great audio interface for on-the-go recording. Thanks to USB 3.0 connectivity, this audio interface works with nearly every computer, from USB 2.0-equipped laptops and desktops to the latest-generations Macs and PCs.

USB 3.0 brings more than just hassle-free connectivity to this Zoom audio interface. The USB 3.0 SuperSpeed interface is ten times faster than USB 2.0, so this audio interface can give you low latency and improve the stability of your data stream. You can even use higher-end pre-amplifiers and converters, thanks to extra bus voltage from USB 3.0. Pros. Two combo inputs for microphones and line-level instruments.

Phantom power up to +48V. Headphones output with dedicated level control. USB 3.0 SuperSpeed interface for low latency and stable data streaming. Support for 24-bit/192 kHz audio Cons.

Requires adapters for use with iPad The Behringer U-Phoria UM2 USB Audio Interface offers state-of-the-art microphone pre-amplifiers, a dedicated instrument input, and high-quality RCA stereo and headphones outputs. All these features help you achieve the professional-level quality you want for your recordings. Microphone pre-amplifiers The Behringer U-Phoria UM2 USB Audio Interface offers one microphone pre-amplifier.

This XENYX pre-amplifier from Behringer can reliably boost microphone signals so that your voice comes through loud and clear, without any background noise and distortion. This comes in handy if you’re planning to record podcasts or other vocal-heavy tracks. With this microphone pre-amplifier, you can be sure that noises from electronics don’t affect the sound and volume of your voice.

This high-quality XENYX pre-amplifier also comes with +48V of phantom power. With this added power, you’ll have no problems using your favorite condenser microphones with this audio interface. Input/output count and input types The Behringer U-Phoria UM2 USB Audio Interface comes with a total of 5 I/O ports: 2 inputs and 3 outputs. The audio interface’s inputs include a XLR/TRS combo input port for microphones and line-level audio gear and a dedicated ¼-inch input port for instruments such as guitars or basses. The dedicated instrument-level input lets you simultaneously and independently record vocal and instrument tracks, which can make editing and processing easier. Outputs on this Behringer USB audio interface include a stereo output for speakers as well as a ¼-inch jack for headphones. This way, you get to choose the way you monitor your recordings.

Form factor and usability The Behringer U-Phoria UM2 USB Audio Interface is a desktop USB audio interface. This makes the audio interface easier to use because there’s no need to use to mount the interface on a rack.

What’s great is that this USB audio interface has a compact design, so you’ll have no problems putting it in your bag for on-the-go or live recording. Monitoring is made even easier with the audio interface ultra-low latency abilities.

You’ll experience virtually no delays as you’re listening to your recording. The Headphones output also comes with its own level control and Direct Monitor switch. Pros. High-quality XENYX microphone pre-amplifier with phantom power.

Dedicated instrument-level input. 48 kHz resolution for studio-quality recording. Simultaneous 2×2 I/O streaming.

Ultra-low latency for easy monitoring Cons. May need additional configuration for systems older than Windows 7 The Midiplus Tbox 2×2 USB MIDI Interface is the ideal audio interface for recording enthusiasts who use multiple MIDI devices. With this interface, you won’t run out of I/O ports for your MIDI gear. Microphone pre-amplifiers The Midiplus Tbox 2×2 USB MIDI Interface doesn’t include any built-in microphone pre-amplifiers, but it works perfectly well with standalone microphone pre-amps and other audio interfaces that accommodate microphones. With this USB MIDI interface, you can use your MIDI instruments to record MIDI tracks and mix these with your vocals to create studio-quality recordings. You’ll have more options when it comes to recording audio.

Input/output count and input types The Midiplus Tbox 2×2 USB MIDI Interface features 4 I/O ports, with 2 MIDI inputs and 2 MIDI outputs. The dual MIDI inputs each carry 16 channels, giving you 32 channels that you can use to enhance your recordings. With these inputs, you can use various MIDI instruments such as synthesizers, keyboards, and drum machines. This comes in handy if you want some accompaniment for your vocal track or if you want to create a MIDI track. This MIDI interface’s dual outputs also feature dual output ports, which also carry 32 channels. You can use these output ports for MIDI Out devices such as controllers and sequencers.

Best Usb/spdif Interface For Macbook Pro

Signaling LEDs can be found for each input and output to make it easier for you determine which port is active. Form factor and usability The Midiplus Tbox 2×2 USB MIDI Interface has a compact design, so you shouldn’t have problems integrating it into your existing recording setup. This Midiplus Tbox interface is also small and lightweight enough to carry in your bag, in case you need to create MIDI tracks on the go. For added convenience, this MIDI interface is completely USB-powered, so you don’t need an external power supply to use it. This MIDI interface is also compatible with Macs and PCs; you won’t even need drivers to use the interface with your computer. Pros. 2 MIDI input ports and 2 MIDI output ports.

32 channels each for MIDI I/O. Universal USB connectivity. Compact, portable design. Full metal housing Cons. No built-in microphone pre-amplifiers The Lexicon Alpha 2-Channel Desktop Recording Studio is the complete package, thanks to its built-in microphone pre- amplifier, front-panel instrument inputs, and high-powered, balanced outputs. With this audio interface, recording audio is easier than ever.

Microphone pre-amplifiers The Lexicon Alpha 2-Channel Desktop Recording Studio features a single microphone pre-amplifier. This microphone pre-amplifier not only boosts microphone signals to match the standards of recording equipment but also offers low-noise features. XLR input on this pre-amplifier ensures that you can insert or remove the connector without picking up external signals. The XLR connection also helps provide an additional level of security for the microphone. With this microphone pre-amplifier, you can ensure that your vocal track is clear and free of noise and distortion, making it easier for you to produce professional-quality audio. Input/output count and input types The Lexicon Alpha 2-Channel Desktop Recording Studio is designed with a total of 9 I/O ports.

The audio interface’s input points include an XLR input that serves as the microphone pre-amplifier, 2 TRS line-level inputs, and a ¼-inch Hi-Z input for instruments such as electric guitars and bass. The line-level inputs are RF-filtered and active-balanced, and these input ports accept both unbalanced and balanced signals. Output ports on this audio interface include 2 TRS outputs, 2 RCA outputs, and 1 TRS output for headphones. This means you have plenty of options when it comes to monitoring your recordings. You even get a high-powered headphone amp for ultra-clear fidelity, no matter what headphones you use. Form factor and usability The Lexicon Alpha 2-Channel Desktop Recording Studio is a desktop USB audio interface, so it doesn’t need to be mounted to a rack prior to use. It also has a compact design so you can use this audio interface to record audio whenever and wherever you want.

For easier use, the Lexicon Alpha USB audio interface comes with separate controls for microphone and line-level input. You’ll also be able to set the playback mix level as you record. USB connectivity ensures that you can use this audio interface with almost all computers today. Pros. High I/O count, with 4 inputs and 5 outputs.

Low-noise microphone pre-amplifier with balanced XLR inputs. Hi-Z input for electric guitars and basses.

RF-filtered and TRS-balanced line outputs for easier monitoring. Included Cubase LE4 software and Lexicon reverb plug-in Cons. No built-in phantom power.